isolatedmix 71 - Anton Kubikov : Ambient Landcast

The Biosphere-esque EP "Music For Currydoors" alongside Maxim Milutenko was my first introduction to Anton Kubikov. During my obsessive Traum Schallplatten era (see Traumbient), this track was one of many introductions to a wealth of artists who crossed the divide between ambient and techno. It was a small appearance on Traum, but gave a taster of what he can do alongside partner Maxim, where they were both busy producing as SCSI-9 and releasing on labels like Trapez, Force Tracks and Kompakt. 

Not necessarily known for ambient music at the time, Anton’s career has been largely rooted in techno as the founder of esteemed label Pro-tez. But as we’re about to find out, ambient music has always been a big part of his life, with subtleties creeping through and influencing some of his many releases over the years. Through more dub-techno EP's like 'Bushes/Moving’ and ‘Inner’, or deep techno EP’s such as ‘Before/After’ and ‘Aniko/Evora’, Anton consistently creates beautiful deep journeys within his extensive productions. 

That perception may now stray further into the ambient realm after releasing his first album on Kompakt’s prestigious Pop Ambient album series, titled 'Whatness'. After a push from label head Michael Mayer, Anton embarked on the full-length and threw his entire production armory at what is, an extremely varied and creative record. Using random noise generators, resampling, modular synthesizers and step-sequencers, Calimba, guitar, piano and even poetry, Whatness continues to break the ever-changing Pop Ambient umbrella. 

Anton’s mix, is a creative concept which we haven’t seen here on ASIP before, bucking the potentially expected dive into deep techno territory. Inspired by reading biographies of some of experimental and avant-garde's most prestigious pioneers, Anton discovered a unique approach to the mix:

"As if listening to different songs in youtube, I did not turn them off but began to layer on each other. I reached five tracks simultaneously playing, and fell into hypnosis. The idea of he mix was born. The main thing was to show the works of different years throughout the 20th century from the 30s to the 80s, when such music, it seemed to me, did not go out into the broad masses but remained amongst intellectuals”. 

An educational class featuring some this century's most defining experimental innovators.

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Tracklist:

01. Sofia Gubaidulina & Choir of the Moscow Experimental Electronic Music Studio - Vivente-Non Vivente [1989]
02. Eliane Radigue - Geelreandre [1979]
03. Delia Derbyshire & Barry Bermange - Falling [2014]
04. Morton Feldman - Two Pianos [1953-1969]
05. Bernard Parmegiani - De Natura Sonorum, Première série [1975]
06. Morton Feldman- Three Voices For Joan La Barbara-Legato [1989]
07. Else Marie Pade - Faust Suite: Faust & Margrethes Kærlighed [1958-1995]
08. Alvin Lucier -  Music for Piano with Magnetic Strings [2009]
09. Edison Denisov - Bird’s Singing [1990]
10. Oliver Messiaen - Oraison [1937]
11. Else Marie Pade - Syv Cirkler [1958]
12. Morton Feldman- Three Voices For Joan La Barbara - Whisper [1989]
13. Robert Ashley - Automatic Writing [1979]
14. Harold Budd - Bell Tower [2003]

Anton Kubikov | Facebook | Soundcloud | Kompakt

Murcof x Vanessa Wagner - Statea

Classical reinterpretations are easy to come by, but not many are fulfilled with such meticulous grace and innovation, as Murcof and Vanessa Wagner's, Statea. 

Wagner, a French pianist and Murcof, an electronic musician of microscopic execution, could have each approached the infamous tracks on this album with their own individual styles,  but instead chose to combine. The result is a thoroughly unique and innovative take on the original music, with subtleties of each artist adorning separate tracks, turning decade-long proven piano melodies and patterns into even finer detailed textures for the modern day listener.

John Cage's 1948 piano piece In A Landscape, slowly descends into a chamber of suspended atmospheres and static, as the recognizable keys begin to tinker. Arvo Pärt's opening signature is slowly drubbed into submission by an pounding electronic beat reminiscent of Alva Noto and the most epic of film soundtracks. Aphex Twin's delicate piano piece, Avril 14th gets a rework he may just be happy with (unlike Kanye's rip), with a touching disposition that makes the original somehow even more beautiful. And while Erik Satie's Gnossienne n°3 may not be the most recognizable of pieces from that name, it's the perfect light at the end of a dreary, dream-inducing intro, that sets a scene for the end of the world.

This is an album of intricacies that could have only come from two producers who know the original material so well, only they could have manipulated and shaped it into the successes you'll hear on Statea. If you need an introduction to some of the world's most revered composers, go hunting down the original material. If you need an introduction to two people pushing the boundaries of sound and what a remix can become, look to Murcof and Wagner. Wins all around. 

Available through Infine on Bandcamp, digital + LP.