Kompakt - Pop Ambient 2018

Given this is now a yearly tradition for me, I'm going to mix it up a little...

Firstly, a few thoughts on Kompakt's latest addition to its ambient series, Pop Ambient 2018.  Knowing where to start when these drop at the end of every year, let alone what to say is often a challenge, without having to review for review's-sake. Every year I comment on how the style continues to evolve ever-so-slightly compared to the Gas-infused loops and drones from the earlier editions of 2003.  But that's a good thing, as Kompakt are essentially documenting a particular evolution of ambient music year-after-year. It may be a limited scope considering all things ambient, but for those that listen to the details, it starts to mimic some subtleties that are represented out ion the music world. 

One noticeable change, is the proliferation of modern-classical music. There was no such-thing on the earlier editions (at-least without some kind of heavy manipulation) , but now the likes of Kenneth James Gibson makes regular appearances (his latest on this 2018 edition, is one of his finest yet) and the piano is the core focus for Leandro Fresco and Thore Pfeiffer on the compilation opening track. And while newcomer Yui Onedera's depth in Prism, is manipulated enough to make it a beautiful drone record, there's no hiding the strings that power the emotion behind it. 

But before you start thinking we've got a new Erased Tapes compilation on our hands (nothing wrong with that I may add), curator Wolfgang Voigt, still manages to nail the Pop Ambient sound by bringing some old friends back to level the playing-field. Triola's, L'Atalante is a straight zip-line back to Jorg Burger's early contributions and The Orb, go swamp-walking again with Sky's Falling, harkening back to their early Kompakt album, Okie Dokie It's The Orb On Kompakt, or 2005's classic Pop Ambient track, Falkenbruck. 

Just when you think you've got your head around the evolution of sounds found in the latest edition, pedal steel guitarist Chuck Johnson hits you with a wisp of country-vibe, and dusty roads, a-la KLF in Brahmi. 

2018's Pop Ambient edition bridges some of the many sounds that have evolved since its inception all those years ago, with echoes of classics and nods to the new. It's a mainstay yearly release for this very reason, and whilst it's likely never going to try and revolutionize ambient music as we know it and present something different, that's not the point. Pop Ambient captures a sound many of us have now grown up with. 

I see some people expecting something new and exciting every time this compilation comes out - something to write about maybe. It's the struggle I realize - how do you write about something new which sticks to the same great recipe and does it so well? Ambient music doesn't have something this consistent at this level - it's called 'Pop' Ambient for a reason, and I'm all good with it presenting a solid roster every year capturing the slowly evolving sound of the music we all love. 

Kompakt's Pop Ambient 2018, available to buy now.

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Given the retrospect theme coming through, I thought I'd follow in the footsteps of a few of the Kompakt artists (Leandro Fresco's selections here) and select my all-time top-10 Pop Ambient tracks since the very first compilation in 2001. This is something that's extremely hard for me to do given my love for the series, and I'm already changing my mind... so I'm not going to make a fuss and write about them all. Ok, too many early tracks in here, I should change it. No... I'm just gonna hit 'publish' and leave this right here... enjoy! Listen on Spotify.

Also available on Apple Music.

isolatedmix 71 - Anton Kubikov : Ambient Landcast

The Biosphere-esque EP "Music For Currydoors" alongside Maxim Milutenko was my first introduction to Anton Kubikov. During my obsessive Traum Schallplatten era (see Traumbient), this track was one of many introductions to a wealth of artists who crossed the divide between ambient and techno. It was a small appearance on Traum, but gave a taster of what he can do alongside partner Maxim, where they were both busy producing as SCSI-9 and releasing on labels like Trapez, Force Tracks and Kompakt. 

Not necessarily known for ambient music at the time, Anton’s career has been largely rooted in techno as the founder of esteemed label Pro-tez. But as we’re about to find out, ambient music has always been a big part of his life, with subtleties creeping through and influencing some of his many releases over the years. Through more dub-techno EP's like 'Bushes/Moving’ and ‘Inner’, or deep techno EP’s such as ‘Before/After’ and ‘Aniko/Evora’, Anton consistently creates beautiful deep journeys within his extensive productions. 

That perception may now stray further into the ambient realm after releasing his first album on Kompakt’s prestigious Pop Ambient album series, titled 'Whatness'. After a push from label head Michael Mayer, Anton embarked on the full-length and threw his entire production armory at what is, an extremely varied and creative record. Using random noise generators, resampling, modular synthesizers and step-sequencers, Calimba, guitar, piano and even poetry, Whatness continues to break the ever-changing Pop Ambient umbrella. 

Anton’s mix, is a creative concept which we haven’t seen here on ASIP before, bucking the potentially expected dive into deep techno territory. Inspired by reading biographies of some of experimental and avant-garde's most prestigious pioneers, Anton discovered a unique approach to the mix:

"As if listening to different songs in youtube, I did not turn them off but began to layer on each other. I reached five tracks simultaneously playing, and fell into hypnosis. The idea of he mix was born. The main thing was to show the works of different years throughout the 20th century from the 30s to the 80s, when such music, it seemed to me, did not go out into the broad masses but remained amongst intellectuals”. 

An educational class featuring some this century's most defining experimental innovators.

Download

Tracklist:

01. Sofia Gubaidulina & Choir of the Moscow Experimental Electronic Music Studio - Vivente-Non Vivente [1989]
02. Eliane Radigue - Geelreandre [1979]
03. Delia Derbyshire & Barry Bermange - Falling [2014]
04. Morton Feldman - Two Pianos [1953-1969]
05. Bernard Parmegiani - De Natura Sonorum, Première série [1975]
06. Morton Feldman- Three Voices For Joan La Barbara-Legato [1989]
07. Else Marie Pade - Faust Suite: Faust & Margrethes Kærlighed [1958-1995]
08. Alvin Lucier -  Music for Piano with Magnetic Strings [2009]
09. Edison Denisov - Bird’s Singing [1990]
10. Oliver Messiaen - Oraison [1937]
11. Else Marie Pade - Syv Cirkler [1958]
12. Morton Feldman- Three Voices For Joan La Barbara - Whisper [1989]
13. Robert Ashley - Automatic Writing [1979]
14. Harold Budd - Bell Tower [2003]

Anton Kubikov | Facebook | Soundcloud | Kompakt

Kenneth James Gibson - The Evening Falls

Kompakt's Pop Ambient album series returns with its fourth installment by multi-faceted artist Kenneth James Gibson.

Producing under several aliases, most notably his minimal techno focused, 
[a]pendics.shuffle and as Bell Gardens alongside Stars Of The Lid's Brian McBride; Kenneth has earned the respect of many across multiple genres, but The Evening Falls will be his first full ambient production, and also marks the first Pop Ambient album release by an artist previously not featured on any Kompakt compilation.

With Leandro Fresco, Jens-Uwe Beyer and Thore Pfeiffer preceding this release, The Evening Falls leaves us keen-eared in anticipation from such an esteemed multi-instrumentalist, yet whilst talking with Kenneth, an ambient album seemed to have always been on the horizon: "I have always listened to tons of ambient music and always had plans to produce a full album like The Evening Falls. It just took a little longer then originally planned to get to it. I made this record in my head many years ago, it just didn't physically come out of me till recently. There was nothing stopping me, I just wasn't in the right state of mind to see it through. It took cruising at a slightly different pace then I was at before".

The Pop Ambient sound has seen a slight progression over the past few compilations, and for the album series to continue strongly, it would undoubtedly have to stray into previously unfamiliar ambient territory. With The Evening Falls, we see Pop Ambient's least electronic foray yet, as Kenneth takes us through a range of emotionally charged pieces, simple in format, intense in storytelling, including everything from "guitar, pedal steel, pianos, strings to synths and digital processing", alongside minimal field recordings. 

Spurred by a move away from LA to the town of California's Idyllwild, the album comes from his new-found inspiration amongst the mountains: "I'm surrounded by awesome nature up here in Idyllwild and having more of a connection to that changes everything in your daily life. It's very quiet and very dark here at night. At my cabin, when it's 7 or 8 pm it feels like 2 in the morning. That feeling had a big effect on the record".

The first progression in Pop Ambient sound you'll notice is the modern-classical, soundtrack style approach. Kenneth's music is organic in feel, with only the subtlest, static buzz of synthesizers, accentuating an otherwise purely instrumental album.  Instruments interchange in lead throughout the nine tracks, but one particular sound may spike the ears of the chill-out aficionados amongst us. 

In tracks such as A Conversation Between Friends, you may start to recall a notorious instrument from an infamous '90s album adorned with sheep, Elvis and steel-guitars. When asked about its potential influence, Kenneth tells us, "Kompakt head-honcho, Michael Mayer said one of the reasons he and Wolfgang Voigt liked this record so much was because of the pedal steel and their love for The Chill Out Album, and how the album brought them to a similar place. I only heard that record a few times when it came out but it didn't stick for some reason. I did however go back and listen to it again recently and really enjoyed it. 

I'm a huge classic country music fan and obviously pedal steel is a big part of that sound. I think between country music and Daniel Lanois' use of the instrument was the big inspiration for me on that end. One of my oldest friends David Cuetter was the man behind the steel on this album. He nailed it. We were skateboard kids into punk rock growing up in Texas. I would have never imagined that we would be working on this kind of music together so many years later. I'm also in a band called Bell Gardens and get to work with another awesome steel player named Julian Goldwhite on that stuff. I'm just a big pedal steel fan. It can work well with so many different kinds of music!"

As the steel pedal lulls us across the summer skies, a melancholic piano paints a slow pace in tracks such as, Weighty Repetitions and, Failed To Interrupt; the latter of which benefits from a glorious uplifting synth that acts as an opening scene to the more introspective soundtrack score of my favorite piece, Poured Semi Silently Upon You. 

Layered string textures play a vital role amongst the album, adding the warmth and padding that often comes with any of Kompakt's ambient outputs. Combined with minimal digital processing on tracks like The Art Of Forgetting Yourself, and Long Gone Canadian Summer, you hear the faint distant electronic-echoes that have inspired so many Pop Ambient albums over the years, but in a completely new light, portrayed by a truly talented instrumentalist. No better moments exists than the tense violins of Poured Semi Silently Upon You dramatizing a sublime soundtrack moment you'd come to expect from the likes of Jóhann Jóhannsson, Dustin O'Halloran, or Bell Gardens collaborator Brian McBride. 

These elements of sheer beauty combine on a score that sits with the very best of composers, peppered with the faintest of electronic influences from its label curators. The Evening Falls welcomes a new dawn for Kompakt and their ongoing Pop Ambient album series as they push into a more experimental/modern-classical sound, whilst simultaneously serving up moments of welcoming reflection to keep you feeling at home.

Luckily for us, this doesn't sound like Kenneth's first and last jump into this majestic sound: "The follow up album is already started. I'll continue to do whatever I'm in the mood for, but there will definitely be more ambient music. There's a new [a]pendics.shuffle album coming out in July called "Aware Sequence Found Life" on my label Adjunct Audio. Lots of things always in the works..."

The Evening Falls will be available on Kompakt on Vinyl, CD and digital formats on April 29th.

Stream a continuos mix of the album in its entirety below.

Tracklist
01. To See You Drift
02. Long Gone Canadian Summer
03. Failed To Interrupt
04. Poured Semi Silently Upon You
05. A Conversation Between Friends
06. Lateral Decomposition
07. Broken Thought
08. Weighty Repetitions
09. The Art Of Forgetting Yourself

ASIP - Reflection on 2015

This years' ASIP Reflections mix closes out the annual "Advent Calendar" for our friends over at Das Kraftfuttermischwerk. 

Featuring just a few of my favourite tracks from 2015 the mix process is always organic for me, so ultimately always misses out several styles. This one, has focused more on the ambient and techno side of things, and doesn't include some of the many electronica, IDM, shoegaze or softer ambient music we have featured this year.

As a special treat, I've finished the mix with the first listen of a remix coming out on ASIP in January, as part of ASIPV003R.

Merry Christmas and a Happy New Year to everyone who has been reading, listening and supporting ASIP in 2015. We couldn't have had such an amazing year without you.

Download over on Soundcloud.

Tracklist:
01. Hior Chronik - Nest Of Autumn Feat. Sophie Hutchings (Kitchen) READ
02. Offthesky & Pleq - Ashes Of America (Infraction) READ
03. Leandro Fresco - Los Pasos Vacilantes De Los Reyes (Kompakt) READ
04. Heathered Pearls - Cast In Lemon & Sand (Ghostly)
05. Halftribe - Shells (Dewtone)
06. Rafael Anton Irisarri - Persistence (Room40) READ
07. ASC - Deluge of Thought (Silent Season) 
08. Synkro - Your Heart (Apollo) READ
09. Refracted - The Jungle Is Thick (Silent Season)
10. Voices From The Lake - Orange Steps (Editions Mego) READ
11. Martin Nonstatic - Granite (Ultimae) READ
12. Nautil - Mue (Further)
13. Acronym - Letting Go Of It All (Northern Electronics) READ
14. Voices From The Lake - Max (Editions Mego) READ
15. Donnacha Costello - Farewell (Self released) READ
16. Alessandro Cortini - Rimasta (Important)
17. Arovane & Hior Chronik - Day After Tomorrow (AMX) (A Strangely Isolated Place)

Tracknotes

Hior Chronik - Nest Of Autumn Feat. Sophie Hutchings (Kitchen) READ
This album is being heralded as one of the best by many in the past few weeks. My full review summarizes this beautiful piece of work, but this track with Sophie Hutchings is pretty outstanding.

Offthesky & Pleq - Ashes Of America (Infraction) READ
Infraction are one of the most consistent underrated labels out there, and this colab proves it. I'm pretty sure plenty of people skipped this album, but it's one of the most special soundtrack moments of 2015 - a true grower with an emotional climax.

Leandro Fresco - Los Pasos Vacilantes De Los Reyes (Kompakt) READ
Leandro has had a spectacular year, with the release of his dedicated Pop Ambient album and this, a contribution to the annual Pop Ambient compilation. His sound never falters and this is one of his more finer, articulate moments, slightly different to his regular stuff.

Heathered Pearls - Cast In Lemon & Sand (Ghostly)
Jakub's album is another being heralded across the many best-of lists. Body Complex crossed into more of his 'club' sound, whilst keeping his warm textures and this track was the closest to his previous ambient sound we've covered here on ASIP many times.

Halftribe - Shells (Dewtone)
Despite a relatively quiet year for the label, Dewtonw had a few stunners including the Shells EP by Halftribe.

Rafael Anton Irisarri - Persistence (Room40) READ
A Fragile Geography will undoubtedly be known as one of Rafael's best. Power, emotion and delicacy such as this beautiful track, traverse the album to show RAI's ever-growing library of sound.

ASC - Deluge of Thought (Silent Season) 
ASC on Silent Season is a guaranteed combination. His past outputs have been some of the best music of the year and Fervent Dream is no exception. Deep, dark and mysterious, James Clements crafts the finest of details into vivid landscapes.

Synkro - Your Heart (Apollo) READ
I'm a big fan of Synkro, along with his other guises such as Kiyoko. Changes switches between epic synth-laden ambient music and more upbeat electronica, all in a unique new-beat Synkro style that straddles the likes of Burial, the Autonomic sound and Drum'n Bass.

Refracted - The Jungle Is Thick (Silent Season)
Silent Season went deeper than ever this year and Refracted dug deepest. Bubbling, daunting techno that encapsulates and transports.

Voices From The Lake - Orange Steps (Editions Mego) READ
VFTL didn't do anything particularly new this year, but their LIVE album was another reason to fall in love with the duo. Whilst this track wouldn't stand out in its own, it fitted well in the mix and my favorite from the album was actually the below 'Max'.

Martin Nonstatic - Granite (Ultimae) READ
The sounds in this track and across his album are addictive, like an industrial clang of warm dub-techno. Martin's praise for this album is illustrated in the review, so it was no surprise he would have a place in here.

Nautil - Mue (Further)
A relatively overlooked techno release that more-or-less defined a few of the styles I really got stuck into this year, alongside the Refracted track and the likes of wndfrm. Further also had an amazing year as a label and look unstoppable right now.

Acronym - Letting Go Of It All (Northern Electronics) READ
I could have included a host of Northern Electronics tracks in a year-end mix and it was hard enough narrowing it down to this one from Acronym. I've seen the album, June, pop up on a few lists and I'm glad Abdulla Rashim's ever growing techno label is getting some well-deserved attention. 

Voices From The Lake - Max (Editions Mego) READ
This track epitomizes VFTL's album productions and their stray into the ambient world. Melodic, warming and above-all, memorable.

Donnacha Costello - Farewell (Self released) READ
Donnacha's Love From Dust may be my favorite album of the year. An amazing return centered on his spectacular synth work. Donnacha went on to release another album, Stay Perfectly Still, which was just as good.

Alessandro Cortini - Rimasta (Important)
Alessandro continued his yearly Forse analog assault to great effect. Despite being one of the most 'famous' people on this list through his Nine Inch Nails involvement, he was surprisingly my biggest discovery of the year which led to me hunting down all of his previous synth work.

Arovane & Hior Chronik - Day After Tomorrow (AMX) (A Strangely Isolated Place)
A little taster of the next ASIP release - a remix EP of Arovane & Hior Chronik's In-between.

isolatedmix 58 - Joachim Spieth

In 2001, the very first Pop Ambient compilation was released by Kompakt.

Track one; You Don't Fool Me. It was a sound that had me hooked from the very start, amongst a series that still reigns supreme today.

Joachim Spieth had the pleasure of kicking off the legendary series but is yet to return, unlike many other Pop Ambient artists gracing more recent compilations. Instead, Joachim focused on producing techno, going on to release across Kompakt and in 2008 establishing his very own label, Affin.

The label has grown to become one of the most respected outputs for minimal, techno, and indeed ambient music, playing host to two Markus Guentner releases; Counting Stars (2008) and Crystal Castle (2009) as well as fellow Pop Ambient contributor Gustavo Lamas, and many more cultivated artists from the mind of Joachim.

With such an esteemed background and deep interest in ambient music I invited Joachim to contribute to the isolatedmix series without any expectations of the sound he would put forward. As you'll hear, Joachim's gone back to his early ambient days, with a well-balanced respect for techno throughout. The dubby presence of Echospace Detroit plays an integral part and he's even been so kind to include one of Markus Guentner's ASIP tracks. 

It's also the shortest track list we've ever played host-to in the series, but with names such as Brock Van Wey and Echospace gracing the list, you can be sure this thing has enough depth to keep you submersed for years. 

Download

Tracklist:

01. Model 500 - Starlight (Intrusion Extended Dub) Echospace Detroit
02. Claudio PRC - From The Nebular Stars to The Mosses on The Granite Rocks - 06 Plantae - The Gods Planet
03. Markus Guentner - Limb - A Strangely Isolated Place
04. Brock Van Wey - Forever A Stranger - Echospace Detroit
05. Intrusion - Static Waves - Echospace Detroit

Tracknotes from Joachim:

Model 500 - Starlight (Intrusion Extended Dub) 
It’s an all-time favorite of mine. The original version touched me so much when I got into electronic music.. and years after I fell on this extended dub .... amazing... could be 20 min longer ...

Claudio PRC - From The Nebular Stars to The Mosses on The Granite Rocks - 06 Plantae
This is part of an installation at Botanischer Garten in Berlin. I was there when it happened. It was an amazing atmosphere... You can find the whole album as a free download on The Gods Planets Bandcamp shop...

Markus Guentner - Limb [available here]
Markus is a master of layering sounds... since our early Kompakt days I love his music.

Brock Van Wey - Forever A Stranger
...like voices of love...

Intrusion - Static Waves
Intrusion, another tune that should never end....

~

Joachim Spieth | Web | Affin