Noodle Therapy / Field Notes

Noodle Therapy is the ambient-focused alias of Brighton-based producer Dan Porter, a musician active since the late 1990s whose previous work has appeared on labels including 4bit and Thirteen[rec]. While his history and aliases (Gods of Ruin, Cosmic Acid) span a variety of electronic styles, Field Notes marks a deliberate shift toward slower, more reflective forms, drawing inspiration from the coastal, rural, and woodland environments surrounding England's south coast.

Built from a combination of field recordings, modular synthesis, and hardware-based experimentation, Field Notes explores the relationship between memory and place. Fragments of found sound drift through evolving compositions, where analog circuitry, digital instruments, and Eurorack systems are used less as tools of precision and more as instruments of discovery. 

The album was mixed collaboratively by Dan and Dennis White (Thermal Audio) during the depths of winter, with Dennis adding a subtle layer of additional production throughout and co-writing The Dip. For listeners familiar with Quiet Places on ASIP, Dennis's presence will already be well known; his touch here provides another thread connecting Field Notes to the wider ASIP family.

Voices appear briefly and disappear again, landscapes emerge from abstraction, and melodies surface just long enough to leave an impression before dissolving back into texture. Particular thanks go to poet Grayson Wayne, whose words feature within Sea Glass.

Perhaps what makes Field Notes feel especially meaningful is the path it took to arrive here. For a brief period, Dan lived directly beneath label founder Ryan (ASIP) back in England, and while neither could have known where their respective musical journeys would lead, it's hard not to appreciate the small chain of coincidences that eventually brought this release into the world.

Buy on Bandcamp (Limited time Name Your Price until June 26th)

RSVP to the Bandcamp listening Session

 
 

9128.live still streaming, ambient adjacent music, free, 24-7: An update

 

Our radio station project, 9128.live is still alive and kicking. Crazy to think it’s been 6 years now since we launched. I recently stumbled into someone at a show who was with us for our all-weekend takeovers during the pandemic era, and he said it helped him get through one of the hardest times of his life. It was very humbling to hear, and despite rarely hearing these comments, it’s one of the reasons I still keep this thing alive.

I’m quietly updating music in the background on the station - of course, ASIP music is easy for me to keep updated in rotation, and a few other labels keep on top of things with new releases. without much fanfare.

Here are a few key updates that you might have missed:

New label partners

In the past year or so, we’ve added three amazing catalogs into rotation, including Quiet Details (just this week), Never Late, and Analog Attic. Between these 3 labels alone, we’re hosting some of the most majestic music to hit our ears in recent years. I’m also adding some one-off artist music into rotation, as some listeners get in touch with their own music that fits.

Memberships

We had a membership that enabled paying users to access unreleased and exclusive sets. I let this dwindle for far too long, so I’m sorry to anyone who kept going with it. But I’ve now canceled it fully as I don’t see the time or space to make this worthwhile right now. Thank you to everyone who helped us keep the station going with their contributions.

Listening apps

Not new news, but very importantly, we have both iOS and Android apps that enable you to listen to the stream, and they also host the isolatedmix series as a podcast too. A few other bells and whistles to check out too. Links to the apps here.

Sonos

One of my favorite ways to listen is actually through Sonos (at night) and it’s not too easy to make that happen. But essentially, you need to add the stations custom listen URL into your TuneIn app (once downloaded), then add the TuneIn Service to Sonos, and it should then show in your faves. See here for more ways to listen.

The 9128 label

When we had regular weekend takeovers, artists were preparing sets for their slots, many of which were original, so we decided to release some of these sets and begin the label. Check out the releases here, by Jo Johnson & Hilary Robinson, Gailes, 36 and Ameeva. With no pipeline for original releases, the label is on a bit of a hiatus, but I hope to spin this up again one day and may open up the catalog to live releases in general.

The future

Being transparent, the radio costs thousands of dollars to run and host each year. For now, it’s an investment and a bit of a vanity project because I use it so much myself. So a big thank you to everyone who donates to help with this cost. I hope I get to spend more time on the project in the near future, and bring back proper programming and weekend takeovers again. Until then, I’m doing my best to keep the lights on and keeping 24/7 ambient and electronic music flowing.

Thanks for tuning in.

https://9128.live/

 

isolatedmix 135 - Aspetuck

 

Griff opened our label showcase at Public Records in 2024, and at the time, our relationship had only just got started. His album, Immersion, released last month, was only just in mastering stages with Sven Weisemann, and would take nearly another 1.5 years to see the light of day due to some troublesome test presses. But while his release date was touch and go, an isolatedmix was always written in the stars.

I technically heard Griff DJ at Brooklyn’s The Lot radio station just a few hours before our label showcase - sharing the booth with him as a temporary groupie while I plastered ASIP stickers all over the walls - and had been deep in his guest mixes prior to us even meeting in person. His journey as a DJ regularly takes him to festivals worldwide, and as part of his connection with Delayed, some intimate sets in the Pocono’s have come to fruition and are a worthy bookmark if you end up liking this one.

As someone who can traverse a multitude of styles, from ambient and downtempo to deeper house and techno, Griff’s one of those artists that shows up in different ways - every time. Likely because, his music, and the stories around his reasons for his music, are often very personal. Whether it’s a concept, or a vibe, I get the feeling Griff is a master of sense and construct - a pretty special skill for an artist and DJ to have, where stories told come from the heart and have a pure reason. Not performance for performance sake, but a narrative traveling from the mind, told through a meticulous track selection.

The concept was my attempt to portray various stages of consciousness throughout the morning, from dark into light / sleep to awake, as I get up & start the day & eventually get outside, into the woods for a morning - deep sleep into REM, vivid dreams, waking up from a dream & it's still dark outside but there's a faint glow of light, immersed in nature feeling the warmth of the sun in your face. It starts out cold, dark, alien, otherworldly then shifts towards something more mysterious & inviting but still a bit strange, then moves into warm & fuzzy. Analogous to frost on the ground slowly being melted, warmed & evaporated by the sun. - Aspetuck 

Download

Listen on Soundcloud, the ASIP Podcast or the 9128.live iOS and Android app.

Tracklist: 

01. Altjira - Atvelope
02. Solma - Skaub
03. JEMAPUR - WSIF.rg
04. Corell - Under The Surface
05. Dan Bean - Chum
06. Jeremiah Chiu - Static Stone Railway
07. Talaboman - Midnattssol
08. Skee Mask - Reminiscrmx
09. In Transit - A.2829
10. Innerst Inne - Nils Påls
11. Doltz - Ibuki
12. Michael Rother - Klangkörper
13. Aspetuck - Synth Named Sukie
14. Aspetuck - Hit Me With Your Pet Shark
15. Arovane - Sunter
16. OK EG - Open Sky
17. Luke Abbott - 2nd 5th Heavy
18. Tunnel Dancers - Central Radiance
19. Anushka Chkheidze + Robert Lippok - Rainbow Road
20. Innerst Inne - Hemma Hemma

Aspetuck | Bandcamp | Soundcloud | Instagram

Listen and support Griff’s latest record here

 

Aspetuck / Immersion (ASIPV055)

 
 
 

Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck’s latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff Fulton’s life. The album is less a snapshot in time and more of a memory bank - flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.

The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff’s brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother’s studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.

From there, The Printing Press captures the raw energy of a live jam in Griff’s upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.

Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff’s daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff’s beloved EMU XL7 gifted years ago by his late brother, it’s a fitting send-off to an album that straddles celebration and mourning with grace.

The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff’s original vision. Peter’s treatment draws on Griff’s personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.

Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12” and digital from today, May 15th 2026.

View the release page for all links to buy

 

WNDFRM / Live at Nonseq (ASIP045)

 

After presenting a recording from Salvatore Mercatante on our Bandcamp last year, I wanted to try and keep up this approach on the label by surfacing live sets from our artists wherever possible. I knew as soon as I was immersed in WNDFRM’s live set last year, that it would make a great live release and would be enjoyed by anyone who picked up his WVLT release.

~

WNDFRM has long occupied a parallel lane, equal parts reductionist and tactile. His studio output, including his 2025 release on ASIP, WVLT, is often about what isn’t there, carving space with restraint and a patient sense of pacing. But in this rare live recording from his appearance at Seattle’s Nonseq series in late 2025, we’re reminded how those same principles can hum with immediacy, weight, and physicality.

Tim’s live set leans even deeper into the tactileness hinted at on WVLT. Over 37 minutes, WNDFRM builds a slow-motion tension through dub-damaged rhythms, brittle textures, and dissolving sequences. Familiar elements, saturated pads, clipped delay lines, off-grid percussion, surface and vanish without resolution. A gradual unravelling from a sound designer in his element.

A huge thanks to Steve Peters, Chloe Harris and the Nonsequitur community for the evening.

Available now as name your price on Bandcamp.