isolatedmix 68 - Christoph Berg

An understated producer and renowned collaborator, Christoph Berg has appeared under his Field Rotation moniker across many significant projects in recent years, with several noted here on ASIP. He featured on Hior Chronik's album Taking The Veil, and provided remixes for Benoit Pioulard's Hymnal, and Ocoeur, for example, but as well as being a go-to collaborator for many of the genre's best, Christoph is a sublime composer and producer in his own right. 

His last album under his own name, Paraphrases was a collection of chamber music compositions, embracing an enigmatic modern-classical vibe that veered on the edge of the most intriguing, experimental soundtracks. To quote from the release notes, "Christoph scores the history of eight narrow worlds, carved only from wood - violin, piano and double bass", and we've been waiting a full four years for the follow-up. In a fitting tribute to Christoph's instrumental prowess, the brilliant Berlin-based label Sonic Pieces (home to releases by Deaf Center, Nils Frahm, Otto A Totland) is set to release Conversations at the end of this month, affording Christoph the stature he deserves, as one of the most exciting composers around. 

It's been a busy month for Christoph. Not only did he spend weeks putting this beautiful vinyl-only mix together, finessing it based on permissions like a true gentlemen, but we've also been treated to a collaboration with pianist Henning Schmiedt for bei, released on Tokyo-based imprint flau records just last week. 

For his isolatedmix, Christoph has picked one of my favorite pieces of his to start (featured on the Reflection on 2016 mix); a beautiful rework of the dramatic Night Falls by Hecq. What follows, are carefully curated pieces that highlight the intricacies of Christoph's work and passion for complex, intriguing, yet romantic compositions. Fellow renowned instrumentalists Jacaszek, Celer, and Deaf Center make appearances, and a track from Christoph's new album provides the perfect curtain closer.

"It's been ages since I released my last record. And it's been a while since I created my last mixtape. Now, since I am proudly adding my second solo album Conversations to my discography this month, I have taken this opportunity to rummage through my record collection, select a couple of incredibly inspiring vinyls and play them for you. So, never mind if you happen to spot some crackles or dust. Perfectly suits the music, if you ask me...

Thanks to all the artists and record labels involved for giving their permission to make this mix available to the public as a vinyl-only mix. Since it is also containing works that have never been released digitally at all, please respect that this isolatedmix shall not be made available as a download". - Christoph Berg.

Tracklist:

01.  Hecq – Night Falls (reworked by Christoph Berg)
from the LP Night Falls (Hymen Records)

02.  Kreng – Untitled
from the 10“ Selfed (Substantia Innominata / Drone Records)

03.  Jacaszek & Kwartludium – Kingdom (Les chênes, les bouleaux)
from the LP Catalogue Des Arbres (Touch / Gusstaff Records)

04.  Simon Goff – Orange
from the LP HUE (Hiddenseer Records)

05.  Mico Nonet – Maloja Pass
from the 7“ Maloja Pass (Mico Nonet Records)

06.  Christoph Berg – Interlude
from the LP Paraphrases (Facture)

07.  Celer & Machinefabriek – Maastunnel
from the 7“ Maastunnel / Mt. Mitake (Machinefabriek)

08.  Deaf Center – End Station
from the LP Pale Ravine (Miasmah Recordings)

09.  Christoph Berg – Conversations
from the LP Conversations (Sonic Pieces) 

Christoph Berg/Field Rotation web | Bandcamp | Soundcloud | Facebook | Twitter

Spotlight on Substrata 1.3

After a successful round of funding, Rafael Anton Irisarri’s third Substrata Festival has announced it’s long anticipated line-up. Given many people contributed to this festival without even knowing any performers until now, is high praise for Rafael and his curation skills. But now we’ve got the names, I thought it’d be nice to take a little look into what’s in store.

Some familiar acts for sure, but also some relatively unknown artists that I could do with exploring a bit more and this is the perfect opportunity. I won’t go into too much detail about each of the artists and their background as you can find all of that on the Substrata line-up page. Just think of this as the tip of a very big trove of talented artists you can go away and explore, or even see live this July as part of Substrata.

Grouper

As most of you know by now, i’ve recently moved to Portland, Oregon and before coming here I was fully aware of one of it’s most notorious experimental artists, Liz Harris. I had hoped to see her billed somewhere local but haven’t seen even the slightest of mentions on paper yet, so it was a nice surprise to see her announced as part of Substrata 1.3. I’m no expert of the extensive Grouper back catalogue, but it boasts releases on Type (home of Biosphere) and Kranky (a home to many greats in the past including Loscil, Benoît Pioulard and Tim Hecker).

Liz’s sound is a mixture of ethereal, dreamy vocals and delicate guitars wrapped in warm reverb. Rarely does she stray too far from what she does best, it’s a unique sound that you’ll find many ambient lovers including in their sets as inspirations. Take 36’s or Loscil’s isolatedmixes for example. I’m looking forward to Grouper’s vocals wrapping around the audience of Seattle’s intimate Chapel Performance Space.

Kim Cascone

A bit of digging around reveals Kim Cascone is quite the sound designer. The Substrata line-up page details that Kim’s provided academic studies and developed a sound-art festival alongside his releases on 12K and Raster-Noton. I don’t know much of Kim’s stuff, but going through a few pieces now, it seems like an intimate gig at Substrata is going to be quite the audio experience. 

Jacaszek

Jacaszek is one of those artists that I really haven’t given any deserved attention to on his own. Michał is a regular feature in many ASIP mixes (Bulb’s and Rafael’s for example) and this live snippet gives us a taster of his live electro-acoustic work. His most famous piece is the track, ‘Lament’, cited by many as a big inspiration and a defining example of modern-classical or modern-acoustic music.

Jacaszek is planning to play Substrata alongside Kelly Wyse who recently provided some wonderful piano pieces on Loscil’s recent‘ Intervalo’ EP.

Christina Vantzou

I’m pretty excited to see Christina play at Substrata; she’s another artist who is relatively new to me. With releases on Ghostly and Kranky, her back catalogue, additional projects and her creds on the Substrata festival certainly portray her as one heck of a talent.

Below is a piece of her work alongside Adam Wiltzie (of A Winged Victory For The Sullen) as the duo, ‘The Dead Texan’. Enough said really.

Noveller

Sarah Lipstate sounds like another artist who is set to saturate the Seattle Chapel walls with reverb. “Lipstate summons a sonic palette so rich as to challenge the listener to conceive of how it’s housed in a single instrument manipulated by a solitary performer” as quoted from the Substrata site. I’m looking forward to hearing how that one plays out.

Ken Camden

For a man that plays in a rock-band, tracks like the below ‘Birthday’ paint a nice picture of this man’s talent and music taste. ‘Trance-induced moods’ just about sums this one up, alongside quotes such as”…the psychedelic meditations of 70’s krautrockers Popul Vuh and Ash Ra Tempel – producing a charming ambient”. Charming indeed, and after what looks to be a heavily experimental-focused festival, it’s going to be quite the release to hear Ken’s artfully crafted psychedelic pieces played live on stage.

Yagya

It was a nice surprise to see Yagya announced at Substrata this year. Many of you will know how much of a fan of Steini I am, and for years now I haven’t been anywhere close to seeing him live. I could post any number of Yagya tracks, those from Rigning, or the recently repressed Rhythm Of Snow, but instead i’ll go with an instrumental version of a track taken from his latest album, ‘The Inescapable Decay Of My Heart’. This album was met with mixed reviews after the addition of vocals to Steini’s signature sound, but there’s no doubting just how addictive his productions are when you listen to them at the core and I can’t wait to see what he does live.

Sean Curley

A local from Seattle, I haven’t heard Sean Curely’s productions before, so I’m hesitant to dig into his catalogue too much, as it’s always nice to hear an artist for the first time live. Described as “one of the Pacific Northwest’s most interesting guitarists” tracks like the below have certainly got me intrigued and excited.

Ethernet

Another Portland local, Tim has just released an album on the notorious Kranky that i’m yet to wrap my ears around. Going by the below however, it seems as though im missing out on something seriously special so im about to right that wrong. From what i’ve heard so far, Tim is queued up to be one of my favourites at the festival, crossing the ambient/dub-techno divide which suits me down to a T, and in which case i’ll be tracking him down for a beer or two in Portland to talk even more music!

The Sight Below

Last but by no means least, the Substrata curator himself, Rafael Anton Irisarri. I guess Rafael had to make a decision whether to play as RAI or as The Sight Below (or even alongside Benoît Pioulard as Orcas) but i’m pretty pleased i’ll get to see his more electronic, darker side as The Sight Below. Another artist with just too many favourites to choose from, but here’s one from the vaults with Rafael covering Joy Division’s ‘New Dawn Fades’.

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You can read more on all of the artists featured here over at Substrata. And if you fancy joining me on what promises to be a very special week of music, tickets are also on sale now here.

If you need more of the same, try Rafael’s Substrata dedicated isolatedmix.