isolatedmix 121 - Oslated & Huinali Showcase mixed by S-Pill

One of the very few known labels emerging from South Korea and going from strength to strength recently, Oslated has become a consistent outlet for quality deep techno and ambient-leaning electronic music. Helmed by Jongmin Lee, the label, and its sublabel Huinali keep a busy calendar between them, push a variety of artists both new and known in our small circles. Oslated, also keep a great guest mix series going to help fuel the collective inspiration.

Segue, Inhmost, Doltz, Earthen Sea, Javier Maramon, Saphileaum, Polygonia, and many more artists have graced the catalogs of Oslated and Huinali in recent years, and the label’s various artist compilations expand even further into great artist territory. Needless to say, with such a rich and growing catalog, it’s a perfect time to use the isolatedmix series to highlight some of the great music across the two labels along with a few questions for label owner Jongmin Lee…

ASIP: How did Oslated begin and what was the inspiration to start a label?

Oslated: The Oslated project is a natural byproduct of my beliefs since 2016. It includes the label’s international scope based on my past experiences. The label's early mission statement was to feature unknown talented young DJs and producers, but if there were things that inspired me, it would be based on my various experiences in music for the past 20 years - since I was in my late teens. This still stands today.

You have a great ear for music and I much of your output. What is your general approach to the label’s releases?

First of all, I really appreciate the good feedback & support from many followers & friends including you. I want to give various answers to this question, but to put it simply, I believe in my ears, brain, and heart. What happens after that, whether good or not, I come to a conclusion after the release. I think this way is better. As my belief is that almost all releases on the label were a good experience for me. Therefore, I still believe in my choices, and I still love all the artists I've released on the label.

How would you describe the difference between Oslated and the sublabel, Huinali to the listener?

When I founded the Huinali Recordings sublabel, I wanted to differentiate myself from the parent label, Oslated. However, while out running one day, I thought it was not something I’m absolutely set on differentiating. It's classified according to the artist's wishes, and this is always in progress. So I don't know. The same question was previously asked on a webzine, and my answer to this is still valid: "To be honest, the genre division for our both labels didn’t matter from quite a while ago. What I think iss important now, is the relationship between the concept of an entire album and the corresponding time with the artist."

What are your most and least favorite parts of running a label?

My favorite part is, of course, when I see an artist get a very good response to a release and develop further musically. I would say the hardest part is the interpersonal relationships. I get the most stress from this part, but I put the most effort into directing and consulting myself to minimize this and to be flexible with one another. This is probably the common denominator of all label & platform owners...isn't it?

You just pressed your first vinyl record for Huinali, with Segue, who I admire. What made you decide to move into vinyl for this release?

First, I don't want to say that a lot of physical releases are the goal. Anyway, Oslated had already released 3 vinyl records, and at some point the sub-label Huinali planned to do a vinyl release as well, from the day it was founded. And yes, I tried to do this naturally. Before being a label owner I was a DJ and a collector of various music. I honestly don't want to differentiate between digital and physical and I just want to release GOOD MUSIC. The reason I release physically as well is simply because my followers wish.

If you could have released any favorite/past album in the world on your label, what would it be and why?

I myself had such a wishful plan, and I’m the one who insists on “Oldies, but goodies” too. But as time passed, I realized something myself. Now, my simple argument for this question is, "The past is beautiful when it is the past."

You had S-Pill make the mix, can you tell us a bit about him and why you chose him to create the mix?

Seojun oh aka S-Pill is my close brother, and he holds the title of the only official DJ artist on the label. I guarantee that he is the best DJ in Korea and proud of him. This is the only reason.

What can you tell us about the future of Oslated and Huinali?

I don't want to elaborate on this question, but love Paul Valery's quotes here. "Nothing is complete unless you put it in final shape.".

"The trouble with our times is that the future is not what it used to be."

~

astrangelyisolatedplace · isolatedmix 121 - Oslated & Huinali Showcase (Mixed by S-Pill)

Listen on Soundcloud or the ASIP Podcast.

Download MP3

Tracklist:

1. Inhmost - River Crossing [HNL008]
2. Gallery Six - Wish On A Star [HNL006]
3. Vâyu - To Achieve Awareness [HNL015]
4. Earthen Sea - Outcropping [HNL004]
5. Moon Patrol - Inparke [OSL026]
6. Adhémar - Smell Of A Summer Field [HNC001]
7. Lindamann - Blue Hour [HNL017]
8. Javier Marimon - Dem Cics [HNL002]
9. The Vision Reels - Her Form Is Slowly Morphing [HNL016]
10. Daniel[i] - Eubela [HNL010]
11. Segue - Deep Green Dub [HNP001]
12. Launaea - Reflected Life [OSL017]
13. Asllan - Citizen of the World (Soolee Rework) [OSL024]
14. Saphileaum - No Clue Of Life [OSL006]
15. Zemög - Hiking In Chicaque [HNL011]
16. Owl - Forest Shadow [HNL014]
17. Doltz - En [Forthcoming on Huinali Recordings]
18. ABSIS - Static Trip [OSL021]
19. Polygonia - Tanz der Gliederfüßer [HNL012]
20. Einox - Chirico (Romi's Paradox) [OSL016]
21. Sanjib - Without Words [OSL008]
22. Javier Salazar - Acae (Adhémar & Javier Marimon Repitch) [OSL025]
23. Aspetuck - Microscopic Moments Of Focus [OSL023]
24. Modeo - Nobody Sleeps [OSC002]
25. Ryefield Society - Sun Fossils [HNL018]

~

S-Pill (Oslated / Jeju Island, South Korea) | Soundcloud | Facebook | Instagram
Oslated | links

Portals: Music For Sleeping

The easiest way to describe ambient music to somebody who isn't aware of it, is often to explain it as background music, or music that puts you to sleep. I find myself in that situation regularly, be it with taxi drivers asking about the show I'm heading off to ("so you don't dance - you just listen?!") family members asking about the music I put on the label, or pretty much anyone who only listens to nothing but pop music and think this stuff doesn't exist... However, when you explain it as "music for sleeping", it doesn't do the genre any justice whatsoever. Just take a look on Youtube, or Google "music for sleeping"; it's packed full of generic new-age type material that probably does the job for the many mums out there, but isn't a true reflection of some of the amazing coma-inducing music available. Let's open this world up a little more.

Music for sleeping doesn't necessarily mean music with the least obtrusive manner, or the most unnoticeable of noise. In my experience, you can probably fall asleep to any music you personally enjoy, feel comfort in, and can zone out to - be it full-on techno, subtle field recordings, ancient chanting or never-ending guitar loops. I think I've fallen asleep to all of the above at some point. 

During this exploration, I found several themes or styles of music that I enjoy falling asleep to. So instead of listing out individual tracks in a random order,  I've separated out the music by the five stages of the sleep cycle and given them each a theme / style of music that matches. 

Sleep cycles are apparently 90-minutes long, so you'll find two mixes accompanying this feature, (two cycles each consisting of 90-minutes) with each mix made up of the five sleep stages. The selection includes some of my favorites, as well as suggestions from a few readers via Facebook and Twitter. Thank you to all who suggested albums, and made compiling this feature a new journey for me in many instances. 
 

Stage 1 "Fragmented Visuals" 

“Light sleep; we drift in and out of sleep and can be awakened easily. Our eyes move very slowly and muscle activity slows. People awakened from stage 1 sleep often remember fragmented visual images. Many also experience sudden muscle contractions called hypnic myoclonia, often preceded by a sensation of starting to fall”

For stage one, I've chosen music that creates detailed and immersive textures. Music that's been crafted with pictures in mind, often including field recordings, giving you the sense of something happening, painting the world you're about to enter. These tracks have just enough detail for you to tune into whilst awake, but enough texture and unknown space to zone out to.

These types of tracks are often in the purest of ambient form consisting of simple textures made famous by many of the early ambient pioneers, such as Brian Eno, Aphex Twin, The KLF and Biosphere. 

To help keep things interesting in this stage, the veterans sit alongside some more recent ambient/experimental artists such as Robert Rich, Gallery Six and Sage Taylor (Textural Being's more ambient guise). 
 

Stage 2 "Slowly floating"

“When we enter stage 2 sleep, our eye movements stop and our brain waves (fluctuations of electrical activity that can be measured by electrodes) become slower, with occasional bursts of rapid waves called sleep spindles. ”

By now, I start to drift off and for this stage I've chosen the purest of ambient music focused on soft melodies and colorful textures - the easiest type of ambient music to fall asleep to due to its cloud-like feelings. It can range from simple synthesizer music, to orchestral scores, all uplifting and comforting in tone and texture; nothing too dark, and all very welcoming. 

This type of music ranges in style, from a more electronic feel to more instrumental. Kompakt's Pop Ambient Series is a great place to start (pretty much any of their stuff) and Pass Into Silence feature here alongside more soft electronic processing from Altus,  Home Normal's, Chronovalve, the widely regarded Disintegration Loops from William Basinski, one of my favourite tracks from Helios and perhaps my most played album at bedtime by Jonas Munk's Billow Observatory project. 

Some of the more instrumental pieces that offer gentle, drifting lullabies include Hammock's inviting guitar drones, or beautiful soundtracks from Jon Hopkins and Stars Of The Lid's, Brian McBride - each a delicate balance between comforting melodies and a poignant attention-grabbing movie score. 
 

Stage 3 "Rhythmic waves"

“In stage 3, extremely slow brain waves called delta waves begin to appear, interspersed with smaller, faster waves.”

After drifting, comes the gentle trance-like repetition. For this stage I've chosen tracks with subtle rhythm, ambient pulses, or the gentle enveloping warmth of beats. It's hard to find music that doesn't disrupt within this style (an art it seems). Some will find this style too busy, whilst some will find the repetition soothing and comforting. 

This stage includes my personal favourite bedtime album from Yagya, the undercurrent of Wolfgang Voigt's, Gas project and fellow german Markus Guentner's pulsing ambient, the ethereal, angelic progression of bvdub and one of Loscil's finest ambient projects to date, Fern & Robin, taken from his album Endless Falls. 

Stage 4 "Into The Deep"

“By stage 4, the brain produces delta waves almost exclusively. It is very difficult to wake someone during stages 3 and 4, which together are called deep sleep. There is no eye movement or muscle activity”

The second stage of deep sleep requires indulging atmospheres, so the theme of this stage suited more intense sounds, erring on the side of drone music in many instances. These are the washes of sound that remove the finer details and blanket you with color and texture to confirm your paralyses. 

This stage includes the deep electronic experiments of Alva Noto, Line's Tu 'M, and Thomas Koner, alongside the drone gods of Rafael Anton Irisarri and the infamous Stars Of The Lid.  

Stage 5 (REM) "The Other Worlds"

 

“When we switch into REM sleep, our breathing becomes more rapid, irregular, and shallow, our eyes jerk rapidly in various directions, and our limb muscles become temporarily paralyzed. Our heart rate increases and our blood pressure rises. When people awaken during REM sleep, they often describe bizarre and illogical tales – dreams.”

By now, you're starting to dream, which calls for new worlds and vivid landscapes. This is perhaps one of the more popular styles of sleep music looking back at what's out there already. The psychedelic worlds and space-like ambient music is often the stereotype for escapism and outer-world experiences and along with meditation and relaxation. 

For this stage I've chosen the space-like sounds of Global Communication, Biosphere, Neel, Carbon Based Lifeforms, Solar Fields and Stellardrone, alongside the eery melody of Aphex Twin's Blue Calx - potentially the softest-ever travel pillow.

~

The list, and the mixes could have gone on forever but I had to stop somewhere, so maybe there will be a time for future sleep cycles if you enjoy them. For now, here's two to see you through a couple of horizontal sessions. 

As described previously, the mixes are split into the above sleep stages in a hope they mirror the overall sleep cycle. I'm no doctor or expert in sleep, so this is by no way mean't to actually be a prescriptive sleep session! It was just a nice way to structure the approach, and you never know, it might work for you. 

Once you've listened, feel free to comment below with your experience and if the mixes did the job. Of course, you probably wouldn't know if they did... 

Cycle 1 (90 mins) Download

astrangelyisolatedplace · ASIP - Portals Episode 3: Music For Sleeping (Cycle 1)

Tracklist:
Stage 1.1 Brian Eno - Drift (Apollo A&S) 
Stage 1.2 Aphex Twin - Rhubarb (SAW II)
Stage 1.3 Sage Taylor - Raintime Ten (Raintime)
Stage 1.4 Gallery Six - The Frozen Lake (The Fogbound Island)
Stage 2.1 Pass Into Silence - Iceblink (Pop Ambient 2006)
Stage 2.2 Chronovalve - The Gravity Of Dreams (Trace of Light)
Stage 2.3 Billow Observatory - Pankalia (Billow Observatory)
Stage 3.1 Gas - Pop 3 (Pop)
Stage 3.2 Yagya - Rigning tiu (Rigning)  
Stage 4.1 Tu M’ - Monochrome #01 (Monochrome Vol.1)
Stage 4.2 Alva Noto - Xerrox Radieuse (Xerrox Vol.3)
Stage 5.1 Carbon Based Lifeforms - Somewhere in Russia (Twentythree)
Stage 5.2 Global Communication - 9.39 (76.14)
Stage 5.3 Neel - The Secret Revealed (Phobos)
Stage 5.4 Biosphere - Kobresia (Substrata) 
 

Cycle 2 (90 mins) Download

astrangelyisolatedplace · ASIP - Portals Episode 3: Music For Sleeping (Cycle 2)

Tracklist:
Stage 1.1 Biosphere - ’t Schop (The Hilvarenbeek Recordings)
Stage 1.2 Robert Rich - Summer Thunder (Echo Of Small Things)
Stage 1.3 The KLF - Six Hours to Louisiana, Black (Chill Out)
Stage 2.1 William Basinski - The Disintegration Loops 3 (The Disintegration Loops)
Stage 2.2 Helios - Vargtimme (Eingya)
Stage 2.3 Brian McBride - Girl Nap (The Effective Disconnect) 
Stage 2.4 Jon Hopkins - Campfire (Monsters OST)
Stage 2.5 Hammock - Maybe They Will Sing For Us Tomorrow (Maybe They Will Sing For Us Tomorrow)
Stage 2.6 Altus - Sodium Glow (Black Trees Among Amber Skies)
Stage 3.1 Markus Guentner - Dockside (Talking Clouds EP)
Stage 3.2 bvdub - I Would Have Waited (Songs For A Friend I Left Behind)
Stage 3.3 Loscil - Fern & Robin (Endless Falls)
Stage 4.1 Rafael Anton Irisarri - Persistence (Unsaid EP)
Stage 4.2 Thomas Koner - Nuuk Air (Nuuk)
Stage 4.3 Stars Of The Lid - The Artificial Pine Arch Song (The Ballasted Orchestra)
Stage 5.1 Solar Fields - Silent Walking (Origin #1)
Stage 5.2 Stellardrone - Nightscape (Echoes)
Stage 5.3 Aphex Twin - Blue Calx (SAW II)

Spotify playlist featuring a majority of music from this post:

Feature image by Dorian Denes. T-shirts with the Music For Sleeping design are now available on his website.

If you're new to ambient music or would like more of the same, try our in-depth feature, Neither Scene Nor Heard : a journey through ambient music

Passing by: Gallery Six, Moss Garden, Elysee, Tone Color and Jokers Of The Scene

Gallery Six – Morgunn

This little gem from Hiroshima-based composer Hidekazu Imashige is the perfect introduction to his catalog of ambient work. Take the time to explore a discography that includes collaborative efforts with India’s Twisted Perspective and Cracow’s Lights Dim. Download on Bandcamp.

Elysee – Something Special

16 meticulously constructed minutes that blossom at their half way point. Stick with it. This exceptional talent out of France fuses minimal elements and live instrumentation to convey very real emotion. Definitely follow up with his work for Canada’s Archipel and Berlin’s Sleep Is Commercial. Download on Beatport.

Moss Garden – In The Silence of the Subconscious

Lee Anthony Norris and Dimitar Dodovski combine ambient and techno theory for a gratifying, yet desolate full length experience. The album’s warmer moments contrast with chilly, dub-laden passages that leave you stranded with break-taking views. This promising duo have an earlier EP also worth your time. Download on Bandcamp.

Jokers Of The Scene

The clear favorite on this ambient-themed compilation from Adam Marshall’s New Kanada imprint. Not a roster generally known for their work in the ambient sector, but we’re starting to see a lot more artists try to reach out and expand their horizons. It’s often either a clear hit or miss. This piece from Jokers Of The Scene follows through. Download on Beatport.

Tone Color – The Last Day

Rich textures, vivid field sounds and emotive arrangements star in this beautiful full length effort from Manchester’s Andy Lomas. Rare to hear such expertly crafted sounds on an artist’s debut. A must-listen for any budding ambient enthusiast (oh, and the album is free).Download on Bandcamp.