Alex Albrecht / Violet Visionary (ASIPV043)

 

We are in full release mode as we close down the second half of the year and get caught up on some releases after a big switch in Plants and Distro early on in ‘23. Next up is a beautifully pointed and succinct portrait of the wonderful work to come from Australian producer Alex Albrecht. Alex has been slowly winning over every ear his music seems to touch and this record will undoubtedly do the very same if you’re new to his lush mixture of Jazz-infused deep house and field recordings.

We’re leading the announcement with the mesmerizing, perfectly matched video for the last track of the album, ‘June’, created by Jessica Grilli.

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Australian artist Alex Albrecht debuts on A Strangely Isolated Place with Violet Visionary, a perfectly honed evolution of picturesque downtempo and hazy, percussive Deep House. 

Alex Albrecht has refined his unique triangulation of ambient, house, and instrumental influences over the years, either as one-half of Albrecht La’Brooy (Apollo) or under his Melquíades alias (Analogue Attic). Combining rich field recordings and hypnotic instrumentation, Alex’s productions are often recognizable thanks to this instantly warm and welcoming combination. Percussive elements and powerful drum patterns sit amongst perfectly executed melodies and dusky atmospheres; Alex’s music is just as suited for the orange hues of dawn as the purple tints of sundown. 

A notably shorter album than we may hope, but sequenced as one complete experience, Alex is purposeful and precise in his approach, with every element completely additive to the last. Violet Visionary echoes a moment of organic evolution that disappears as quickly as it came into existence; peaking to a glowing embrace that will undoubtedly leave an impression. 

Featuring original artwork by Evie Cahir and mastered by Corey Kikos, Violet Visionary is available on Transparent Orange Smoke 12” and digital, from September 29th 2023.

Visit the release page for more info and links to buy

 

The Observatory - ASIP

 

The Observatory is a new mix series curated by Jay Keegan and has already featured a few of my favorite artists and DJs since its recent inception. I can tell that Jay has an ear for great sound and curators, so I’m excited to see where the series goes in the future and was honored to play a part in its path forward.

I took the opportunity to spotlight a few unreleased gems in this mix, as well as two very exciting ASIP releases in the works…

Recent contributions have come from the likes of, Jo Johnson, Toner (Liminal Dreams), Gentle Force and Patricia Wolf. Listen to the full series on Soundcloud.

Here’s what I had to say about the mix when sending it over to Jay.

This mix came together over a 2/3 month period, as I've spent a large part of the summer between Oregon and California with family and haven't had much dedicated time to focus on a mix. Normally I approach mixes more conceptually, but this one came to life organically in pieces, over time. In hindsight, the mix reflects a specific period in time for me and a lot of my life musically over the past few months. From the unfortunate passing of Brian McBride (Stars of The Lid) and revisiting those brilliant albums nearly every evening; anticipating the new Lord of The Isles album after his standout isolatedmix this year; our latest label addition from Mary Yalex; music being sent to my inbox from new artists; and of course, a couple of upcoming ASIP releases that are keeping me busy lately. Thank you for having me as part of the series.  

Listen on The Observatory Soundcloud or the ASIP Podcast

Download MP3

Tracklist:

01. Mary Yalex - Snowy Avenue (Excerpt) (Yalex Recordings) [Forthcoming]
02. Stars of The Lid - Down (Kranky) [2001] 
03. Monolake - Mass Transit Railway (Field Records) [2023]
04. nthng - Unlimited () (Excerpt) (Transatlantic) [2023]
05. Liai - A-A (Quiet Time) [2022]
06. Terre Thaemlitz - Liebesmachine (Comatonse) [2019]
07. Biosphere - Antennaria (Alternative Version) (Biophon) [2022]
08. Vernal Equinox - Six Figures In A Landscape (Clover Recordings) [1997]
09. hoyah חיה - BB walk [10129] (Mellia) [2022]
10. Andy Aquarius - Kyrie (Constellation Tatsu) [2022]
11. Romance & Dean Hurley - Still Lives (Ecstatic) [2022]
12. Chihei Hatakeyama - Insects Chirping (Field Records) [2023]
13. Lord of The Isles - Last Day (AD93) [Forthcoming]
14. Alex Israel - Octonions (Somnambulant Drift) [2023]
15. Shīdo - Denial (Unreleased)
16. Owl - Moonshine Haze (Silent Season) [2021]
17. Not Glass - Fallite Fallentes (Ecstatic) [2019]
18. Carl Stone - Lim 1974 (Unseen Worlds) [2016]
19. Stars of The Lid - Preludes (In C Sharp Major) (Kranky) [2001]
20. Arovane - Yord (Quiet Details) [2023]
21. Markus Guentner & Arovane - Utopian Fragment (A Strangely Isolated Place) [Forthcoming]
22. Salvatore Mercatante - Open, Open (A Strangely Isolated Place) [Forthcoming]

Mix artwork by Clayton Ciolac

 

isolatedmix 123 - Alex Albrecht

 

We’re entering a busy half of the year for the label, and while we don’t always use the isolatedmix series to help tee up what’s in store, Alex Albrecht also happens to be a brilliant selector and curator of many great mixes over the years.

Yes, you did read that right, Alex will soon be gracing ASIP with a new release, to be announced in full very shortly and available at the end of September. We had hoped to get this mix out a little earlier in the year but life got in the way for us both, and after a small trip to Japan recently, Alex was able to get some answers down to a few of my questions in anticipation for his awaited release here on ASIP.

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It's been interesting to see how you've created a very unique style and approach between your own project, with Sean as Albrecht La'Brooy and under the Melquíades guise. How would you describe the differences between them all?

I originally created the Melquiades alias as a way to separate club/dancefloor music from more downtempo/ambient productions under my own name. The music I now produce under Alex Albrecht incorporates all sorts of sounds and influences and in my development, I don’t now see a reason to differentiate.

 Campfire Stories was quite the debut album, and received such a great reception it seems. It combined lovely atmospheres and house elements, with downtempo and instrumental (even jazz). How are your albums born usually?

 My albums are usually created through my field recordings and recent experiences. I generally take recordings and loop/manipulate them to create a canvas and use that as the inspiration for each new track. When I see a larger album coming together I try to identify gaps in the concept and fill it with new productions.

 Your own label imprint, Analogue Attic was home to much of your early work and continues to host some of your music alongside others. How did the label aspect come about?

 The label was definitely created as a way to release our own music but very quickly became a medium to put out music from our friends and influences. The ambition has always been to showcase ambient music specifically made in Australia. We also hope to showcase music that does not generally conform to current trends in the global electronic scene. 

As mentioned already, your music is rich with field recordings and vivid instrumentation. What does your studio setup consist of usually? And what elements have remained a constant?

 My studio has been very consistent throughout the last 6 or 7 years. It has a Nord A1R, A Blofeld, a few Yamaha digital pianos, and some eventide effect pedals. Of course, there is also the Sony PCM A10 recorder which is really an incredible piece of tech.

 If your label (Analogue Attic) is any indication, the output and potential of producers in Australia seem very rich and fertile - is this true? How would you describe the "scene" for this type of music where you are?

 I’d have to agree – it is certainly a fertile scene in Aus with amazing music being produced around the country. There are many artists blending strong musical themes and elements with electronic elements and many gigs/shows aim to push boundaries and do something out of the ordinary.   

Your isolated mix captures your sound very well and includes a variety of styles and influences, what was your approach?

 I am often commuting to work by bike and love an interesting, hypnotic mix to push me along. I have been listening to ASIP mixes for years and was compelled to dive deep into my old libraries to capture some of the nostalgia that I feel with the earliest memories of ASIP. I brought a few of these into the picture with Dousk, John Beltran, BOC and Jesse Somfay  (among others) and was also really happy with how well they’ve stood the test of time.

Other than ahem, a pretty special record dropping here on ASIP soon, what can we expect from you for the remainder of 2023?

It’s unclear for now but I’m always making music and searching for inspiration. I have a huge collection of field recordings from Japan so will be surely using these in the short term to see what it inspires. 

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Stay tuned for news of Alex’s album on ASIP set to be announced very soon, and available at the end of the month.

Listen on Soundcloud the ASIP Podcast or the (new!) 9128.live app

Download MP3

Tracklist:

01. IMPS - Heaven and Bagpipes
02. O.S.S - Bianga
03. Sense - Rain 5
04. Marow - Tsih
05. Jesse Somfay - Tomorrow's Yesterday is Today
06. Cyan341 - Pattern4
07. Alex Albrecht - Forest Dance
08. Castel - Estrel
09. Remote - Public Service
10. John Beltran - Gutaris Breeze
11. HOLOVR - Outer Time
12. The Phantasy - Love Will See Us Through
13. Ariet - Shaman's Heart (Polygonia Remix)
14. Boards of Canada - Amo Bishop Roden
15. Dousk - Sidewalk Lovin 

Alex Albrecht | Bandcamp | Instagram | Soundcloud

 

Viul & Benoît Pioulard's 'Konec' limited Art Print Edition

 

Viul & Benoît Pioulard’s ‘Konec’ turns one year old today, and to celebrate we have a small set of LPs featuring a limited edition 12x12” art print by Liz Harris and a 1x1 original Polaroid from Benoît.

Now available on Bandcamp and shipping from label HQ.

These are the same record from the original run, but without the original 2LP gatefold sleeve (due to damage) and limited to just 33 copies with the additional print and Polaroid. Artwork printed on heavyweight Canson Arches BFK Rives white.

 

Mary Yalex / Fantasy Zone (ASIPV042)

 

German musician Mary Yalex debuts here on A Strangely Isolated Place depicting a storied transition from our recognizable surroundings, into a vision of the future. 

With releases and music styles across a variety of labels over the years, it has been Yalex’s more experimental ambient work that has stood out amongst her catalog, and in Fantasy Zone, we find Mary fine-tuning this sound to reflect the work of a true architect of storytelling, mood and atmosphere. 

Drawing influences from her day-to-day surroundings, Fantasy Zone begins with more vivid pieces; softer melodies and clearer instrumentation, represented as much in song titles such as Air, After Rain Comes Sun, and Half Light of Dawn. The second half of the album transitions into a future state, as Yalex draws on darker manifestations - perhaps intrinsically influenced by the state of the world, and in particular her love of nature, we play witness to more storied, haunting atmospheres, distant voices and slowly shifting gravitational chord movements. Dystopian-bound or pure fantasy, Yalex depicts a future that mirrors some of the more poignant, thought-provoking work of great synthesizer soundtracks of the past. 

Mastered by Rafael Anton Irisarri, and featuring artwork by Noah M / Keep Adding, Fantasy Zone will be available on Purple Smoke 12” and digital.

Preorder now available with full release following on August 28th 2023.

Listen and links to buy via the release page