ASIP Wantlist #5 ASC (James Clements)

Not only do we know James Clements as the man behind one of the best ambient albums of last year (No Stars Without Darkness), or one of our favorite electronica EP's in the form a new alias as Comit, or as a pioneer of the 'autonomic sound'... or as label boss of one of the most forward thinking labels out there - Auxiliary. But we also know him as a vinyl obsessive, part-proven by his meticulous and beautiful presses on Auxiliary and other labels lucky enough to get his music on board (take the X3LP Imagine The Future or his black and green colored EP with Ulrich Schnauss - just two examples of his labor of love). 

With both an amazing musical background spanning everything from drum'n bass to techno and ambient, alongside a pure love of the format, we were always going to enjoy knowing what lay deep within the crate digging dreams of ASC...

1. Sandwell District - Feed Forward [Discogs]

I had it in my cart on Juno and for some unknown reason, I didn't complete the order.  I recall that I'd forgotten about it, and a few days later I returned to see it had sold out. I started to search all over the net for a copy and couldn't find any left.  Of course, it's pretty much folk lore what sort of prices it goes for used, although that's also down to Discogs listing price suggestions, which help to inflate the price of a used record.  All it takes is one person to buy it at a high price and then the median increases, Discogs suggests a higher listing price and the trend continues. I suppose from a business point of view, it makes good sense, but from a consumer point of view, it's fucking annoying. Rumor has it that it wasn't pressed in high numbers either, which makes it all the more annoying that I missed out. C'est la vie.

2. Lee & Tango/Lee & Gwange - Legendary Volume Three [Discogs]

I had this record in my collection at one point, but when I moved to the US from England and shipped my vinyl over, I couldn't find this. Both sides are absolutely essential pieces of music to me. Growing up on hardcore, drum & bass, early jungle etc, this record is the epitome of everything I loved about that era. One side is some dark menacing jungle-tekno and the flip is a serene piece of atmospheric drum & bass, much in the vein of the stuff LTJ Bukem was starting to push in the early 90's. I tend to set myself a limit of what I'd pay per record these days, but for stuff I've already owned and lost, it pains me to have to buy it again!

3. Convextion - Venus In Spurs [Discogs]

Another amazing record that I missed out on, although no stories of near misses on this one - just me sleeping on Convextion. I only got into his music after hearing his debut album in 2006, and by that time, this release was already 6 years old. Two gorgeous pieces of music here, especially the b-side, Crawling and Hungry. This is one of those records I dream of getting lucky with while checking out some random record store in some city around the world, although I'm not holding my breath on it happening! 

4. Ostia - Clamp EP [Discogs]

I have a fascination with Iesope Drift's stuff. Some of the rhythmic creativity shown in their work was absolutely light years ahead of its time. This one is an obscure 12" from their Seico Corp sub label and the only release they did under this guise I think. Fortunately, 2 of the 3 tracks here were reissued on a vinyl release earlier this year, that kinda came out of the blue. I still want the original 12" though, as I'm just like that :)

5. No Artist - Two On One [Discogs]

Bit of a strange one here, as there's no music on this piece of vinyl at all. This was a picture disc used as promo for Moving Shadow's Two On One series back in 1994. It features the super cool Moving Shadow World Domination logo on one side and the flip gives information about the upcoming series. I've always wanted a copy anyway, mainly as something to display in a frame on my studio wall. Perhaps I'll buy one at some point :)

ASIP Wantlist #4 Applescal

A man of finely curated electronica; some of the best DJ sets you'll hear; and the face behind the respected and-forward thinking label, Atomnation; we copped the download on five of Pascal Terstappen's most wanted pieces of vinyl. As you might expect from such an ear, it's a melodic mix of colorful grooves that suit the personal playlists, as well as the DJ's amongst us.

Be sure to check-out Atomnation's latest compilation release, Unfold after you've treated yourself to the rarities below. 

1. Apparat - Walls [Discogs]
My all-time favourite album. Pure nostalgia. I listened to this one on repeat riding my bike (40 minutes back-and-forth) to high school for a long time. On my first 128kb MP3 player. Haha. Still get goose bumps when I hear the track 'You Don't Know Me'.

2. Traumprinz - All The Things [Discogs]
Just heard a repress is on the way (also for lots of more Giegling releases). Especially 'All The Things' I love. His last one, '2 The Sky' is also on my want-list.

3. David August - Times [Discogs]
One of my favourite tracks of all time appears on this LP: 'Forgive Me If I Bleed'. In my opinion, he may be the best producer out there at the moment. His work is always unpredictable and sounds warm. I'm looking forward to his new work - I have the feeling a new album is on the way.

4. Kona - Sing A New Sapling Into Existence [Discogs]
This is a side project of Lone. Maybe the best of all his work. My friend has the LP and is constantly bullying me that I don't. I Might not buy this one and just steal it from his collection to justify. Pional made a cool edit for one of the tracks, which is how I discovered this project.

5. Kim Brown ‎– Somewhere Else It's Going To Be Good [Discogs]
A nice laid-back LP by a duo from Berlin - not very well known. Lovely for after-hours or to play when friends are visiting. Quarion remixed one of their tracks recently which is a real banger, if you have time check that one out too.

ASIP Wantlist #3 Mike Cadoo (n5MD)

Mike Cadoo is a man of many talents and many guises, and I'm sure plenty of you reading this are familiar with his legendary label, n5MD and his post-rock epic-ness as Bitcrush.  

It was a crate-digging session with him and Brock last year at Substrata Festival that part inspired me to start this mini series; intrigued by the many musical influences that have shaped such well-respected people in the ambient community.

Here's five records Mike's on the hunt for, ranging from a classic ambient LP to modern classical, metal and industrial rock - a spectrum that no doubt influenced his interests and output for both n5MD and his own productions. 

1. Autechre – Amber [Discogs]

While my want-list is not in any specific order I think of this one often when I think of record I truly am looking out for in decent quality at price that is not too over the top. I'm not 100% sure if stock of the repress was lost in the Sony DADC warehouse fire in 2011 as it is "plentiful" on discogs. But the prices for decent quality copies are running in the mid to upper 200s not including shipping. I have special place for this album as it was the only CD I had with me on a west coast tour back in '98. The track Slip being the highlight of the album for me even to this day.

2. Skinny Puppy – Last Rights [Discogs]

I often have heated discussions with Skinny Puppy fans about this album and its predecessor Too Dark Park. I find that Last Rights still holds up to this day where Too Dark Park doesn't (please save your complaints - it's just one person's opinion :P ). I feel Last Rights' more decoupage of sound layering that is barely held together by Oglevie's production gives it a more timeless feel than their other more “fleshed out” efforts.   I have never actually seen an original pressing for sale. While even the 2XLP prepress is going for a decent price when they become available. There is also a Capitol Records version, from Germany I believe, where side A was erroneously pressed with music from a live Poison (yes that Poison) album. Not that I would want that one mind you...

3. Brambles – Charcoal [Discogs]

The LP of Brambles' Charcoal on the Serein imprint was crowd funded back in mid 2014. I completely missed out on it as I didn't even know that there was a crowd funding campaign for a vinyl version. Charcoal is very personal listening and there is no better format for heartfelt electro-acoustic ambient music than vinyl in my opinion. I find this release to be very similar in tone and mood to Last Days or Helios whom in addition to Brambles, I often immerse myself in. While the prices for these aren't as astronomical as some of the others on this list, it might not be as out of reach as I originally thought...

4. Swans – Cop [Discogs]

Showing my age? Well, so what... :) this is a record that I've wanted for quite a long time. There was a time when releases from Neubauten and Swans were played so much in my youth the neighbors I'm sure were wondering what the hell was wrong with me. Cop and the other Swans EP at the time, Young God, were so damn bleak and heavy. Cop was the clear winner in its dystopian weight. There is that heavy double drum stupor of Your Property that still gets my head nodding today. And Gira is so damn mad on this EP. He sounds genuinely fed up with something. Cop even out-weighed most of the metal of that era. While not on this list, I later found similar nihilism in Godflesh's Streetcleaner which I sorta think was the point.

5. God Machine – One Last Laugh In A Place Of Dying [Discogs]

The God Machine were a trio originally from San Diego Calif. They moved across the pond to the UK and then released two albums and a small string of eps on the Fiction label. They made a sort of atmospheric rock-quasi-metal that utilized a decent amount of melancholia and personal introspection. This album is their second and was released after the band had disbanded due to the untimely death, shortly after the album's recording, of their bass player Jimmy Fernandez. It came out in 94' when vinyl was less convenient and the vinyl was fairly limited in release. I did own the CD at one time and I remember that even being hard to come by back in 94.

ASIP Wantlist #2 Jamie McCue (Silent Season)

Our second dive into the Wantlist comes from friend and label-head, Jamie McCue from the well respected Silent Season. I had anticipated these lists to throw out some obscure digs, bringing to life hints of personality from each person featured, and it looks like we're on track to fulfill that ambition. Some lovely hard-to-find selections from one of dub-techno's finest curators. 

1. The Future Sound Of London ‎– Lifeforms. 1994. [Discogs] 

In 1994 while I rolling around on the floor with my punk band screaming about teenage angst I completely was overlooking a genre of music that would later be hugely influential on life. I probably never heard of FSOL until the late 90’s which was maybe a good thing because this album is a masterpiece that deserved my more mature attention. My mom used to listen to Enya in the late 80’s and while it seemed cheesy at the time I think it’s what subconsciously implanted an interest in new age / ambient, which was literally the opposite style of music I was listening to at the time. Anyway, for better or worse I made it out of those years a little wiser and more open minded to downtempo and experimental electronic music. I hope to find this record in a dusty old record store one day.

2. Modern Art - Circuit Lights (1982-1986). 2011. [Discogs]

Growing up I was a huge fan of new wave, synth pop and 80’s music. I loved regularly tuning into the local radio stations and I remember hearing bands like Echo & The Bunnymen, Love and Rockets, The Cure, and similar music. It felt so right given I was listening to punk and ska at the time. It was like this gritty danceable punk influenced sound that still to this day gives me goosebumps when I hear the right song. I first heard Hello/Goodbye in a Silent Servant mix from a few years ago and it really hit home when I hear this track specifically. The Modern Art original was released on tape in 1982 but was re-released in 2011 as Circuit Lights (1982-1986). It’s on my wantlist and I hope to blast it one day.

3. Cymande - The Best Of. 1972. [Discogs]

Hey you can’t go wrong with this classic Cymande record from 1972! It’s a perfect BBQ beats record for those summer afternoon backyard parties. The record is loaded with roots, reggae, funk and soul. Not sure why I never owned a copy. I think maybe I preferred when friends play it while I puffed a spliff and got tipsy on rum. One day I’ll own it, one day. Classic!

4. Murcof - Martes [Discogs]

I completely missed buying Martes on vinyl when it first came out in 2002. I’ve regretted it all these years later until recently when the Leaf Label re-released it as a 3xLP set with Martes + Utopía. Murcof has a sound of his own that is one of a kind. As noted on his Discogs page, Murcof works with orchestral samples, microscopically detailed textures, sounds and rhythms. I”m happy to be a proud owner of the latest vinyl. Check it out!

5. The Dub Syndicate - The Pounding System (Ambience In Dub) [Discogs]

After crawling out of the 90’s with a massive hangover it was time to chill out. A trip to Central America was in order to smooth my rocker edges. What I found while down there was beautiful beaches, cheap weed, and beach bars that played some pretty cool reggae and dub music. Since those hazy days I’ve become a bit of a head for dub. A few years later I started following artists like Bill Laswell, Twilight Circus, Sly & Robbie and Pete Namlook. I loved their use of the studio to create some magical dub and ambient vibes. I first heard of Adrian Sherwood and his label On-U Sound from the Kid Hops radio show on KEXP Seattle on Saturday mornings. Instantly I was hooked on the experimental reggae/dub sounds from the label which led me to the The Pounding System album by Dub Syndicate. I still don’t own a copy, and it’s been on my wantlist for years. Once I own it you can put me in a beach chair with a spliff in hand with this playing out of the tiki bar speakers. 

~

Up next on the Wantlist, we ask another great friend, Mike Cadoo (of n5MD) for his crate digging targets. 

ASIP Wantlist #1

Introducing a new feature series for the diggers out there; the ASIP Wantlist. We'll be asking friends and artists for the five records that sit at the top of their wish list, the records they make a beeline for every time they step into a record store, the covers they've never ran their finger across, the pieces of wax that long for a space on their shelf. 

Finding these elusive records has been made increasingly easier over the years with the likes of Discogs and eBay, but if you ask any record collector, nothing beats finding a piece of vinyl without the means of the internet; wrongly filed, turned backwards, hanging on to an original, busted sleeve, and inappropriately priced. The moment that goes through all of our heads; "is this it? Is it the original? Is it in OK condition? Yes! Why is it it filed in the Jazz section?? OK, how much is it..."

Some submissions in the series will undoubtedly be easily found on the internet, maybe at an extortionate black-market price, but this isn't just about highlighting the rarest LP's with only one acetate ever pressed. Instead, it's a personal love affair with a cherished format. It's a chance for the people who appreciate the physical product, to talk about the pieces they've wanted for some time, and the copies they long to find in a dusty old store - the earned find, not the one-click buy. Nothing beats it. 

I'll kick things off.

Doing this was harder than I thought given how many sought-after records have been re-pressed recently, but I found this to be a proof point in why this feature could be interesting. It wont be a list to show-off peoples collections; "hey why don't you tell me about all those great records you have?" No. It will probably end up being a weird anomaly of records that unearth a bit of nostalgia and personality surrounding said person. I toyed with including some wants from my techno list, my trance list even, but ultimately settled on an ambient theme to begin proceedings. 

And as a reference for all the true crate diggers, I've been collecting for about fifteen years now, which is not that much compared to many people, so expect a relatively modern list, all things considered. Future Wantlist features will undoubtedly dig even deeper...

1. Gas - Gas. 1996. Mille Plateaux [Discogs]

I'm yet to find a Gas vinyl in a record store  and I don't own any Gas on vinyl. It kills me. And given the quality across his four albums between '96 and '00, any of them could be on this list.  

The grandfather of ambient techno (you could say) Wolfgang Voigt, released his defining self-titled LP on the just-as-legendary Mille Plateaux label in 1996 and has seen nothing but praise and imitators (in the good sense) ever since. His sound undoubtedly went on to influence his curations for Pop Ambient  (this is where it started) and likely spawned a generation of washed-out, blissful techno music that straddled between ambient and dance-floor techno. 

Wolfgang is a big influence to many of the artists I listen to today and is responsible for Kompakt's infamous contribution to the ambient world, making his LP's top of my Wantlist by a long way. 

2. Slowdive - 5 EP. 1993. Creation Records. (12") [Discogs]

Perhaps an obvious choice, but I don't own many Slowdive records. I'm not sure if it's down to them generally being hard to come across; if I haven't had the urge to dig them out; or if deep down I can't even begin collecting Slowdive records properly until this one is in my collection (I'm an all-or-nothing type of person). 

In Mind is one of the most beautiful pieces of music ever created and Rachel's soft, angelic voice sounds even better on a warm, crackly piece of vinyl. I also want this to accompany my treasured Reload remixes of In Mind 12". Which leads me nicely on to...

3. Chapterhouse Retranslated By Global Communication ‎– Pentamerous Metamorphosis. 1993. Dedicated. (2xLP)  [Discogs] 

Another shoegaze related want, with Chapterhouse receiving the remix treatment from Global Communication at the very beginning of their infamous ambient era. Tom Middleton and Mark Pritchard set the bar high in 1993 with this unexpected remix album, yet managed to better it even further with the release of their genre defining 76:14 album a year later. Whilst I'm lucky enough to own an original copy of 76:14, it's this remix album I'm on the hunt for now. Each track, taking the core of a Chapterhouse melody, feeling or vocal and capturing the very essence of Global Communication each and every time. 

4. Brian Eno With Daniel Lanois & Roger Eno ‎– Apollo - Atmospheres & Soundtracks. 1983. Editions EG. (2xLP) [Discogs]

This is an example of an LP that is commonly available online, but one I long to come across in a record store, in pristine condition, sat there patiently waiting for me. It's a classic ambient album, inspired by America's conquest of new frontiers, and contains one of my favorite tracks of all time, An Anding (Ascent). It's the the blueprint for the likes of the KLF's Chillout album (combining elements of Country music for example), undoubtedly some of the Aphex ambient sound, and plenty of Pop Ambient musicians who went on to use subtle guitar loops as textures. It's heralded as one of the best-ever ambient albums for many reasons. Not to mention the track, Deep Blue Day, used in that infamous Trainspotting toilet scene. A must have in any collection, and surprisingly, one still missing from mine...

5. Alessandro Cortini - Forse 1. 2013. Important. (2xLP) [Discogs]

This last one took me a while to think about. There's hundreds of older records I'm on the hunt for (which I'll no doubt have to cover in later features), but I wanted to provide variety across the five, so I looked to more recent 'misses' which are now on my hit-list.

Alessandro Cortini (of Nine Inch Nails fame) has released three Forse albums and I unfortunately jumped on the bandwagon just a little too late, picking up the third (purple) last year.  I now need to track down the previous two, because not only do I have an obsession with completing sets (for example, I'm still on the hunt for a few remaining Donnacha Costello Color Series 12"s and a couple more Pop Ambient LP's to complete those collections) but Alessandro's albums are similarly worthwhile collectors items. Beautifully presented, color vinyls, quality packaging and above all, include some powerful, stunning music by Alessandro and his synth-obsessed world.

I think Alessandro's albums will undoubtedly become some of the most sought after records for ambient/ drone/ experimental fans in years to come. If you see Forse 1 or 2 in the store, you know where to send them...

~

Wantlist #2 coming soon, featuring five selects from friend, Jamie Mccue of Silent Season.