9128

Ameeva / Die Wellen (9128-4)

 

Out today on our sub-label 9128.live, an incredible live performance by Ameeva, which we had the pleasure of hosting last year during the 9128 anniversary takeover. Now available on digital and a limited edition cassette box with UV printed foil.

Born in Girona, Spain and based in Berlin since 2019, Alex Bussé Santacruz's Ameeva project previously came to life on the Lowless music label in 2020 and the album 'Fractura del Sueño'. His live set for the 9128 Birthday event took these experimental electronics to a deeper, more personal level, weaving friends' samples and conversations into a rich tapestry of drone and field recordings, creating an immersive and enveloping 40-minute narrative.

Available on Bandcamp, and Juno.

The 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.

 

36 / Weaponised Serenity 9128-3(6)

As a home for collective listening moments, the 9128.live label encourages artists to push their own creative boundaries by presenting new, experimental approaches. This ethos has been encapsulated perfectly by Dennis Huddleston with his latest album as 36 and the third release for 9128.live.

Weaponised Serenity was originally performed as part of the 9128 2-year anniversary show, as 36 reflects on his rave upbringing, creating what can only be described as an ambient take on the early 90's UK hardcore/jungle sound. 

36’s signature, cinematic ambient music is often instantly recognizable to his most die-hard followers, even when he is found exploring techno under his SYNE alias. With this one-off set, aptly titled, Weaponised Serenity, Dennis has created an entirely new, surprising and innovative approach to his already beloved creative output. 

The 9128 label aims to document significant live performances by artists that previously performed on the 9128.live platform. With recordings initially created for a singular collective listening moment, and often as part of a festival or takeover weekend, label recordings will re-present this music for further listening across various formats that best suit each release.

Now available as a limited edition Cassette Box (white box with metallic foil print) and pro-dubbed Cassette (100 copies), and digital edition. The album will hit streaming platforms in a couple of weeks.

Available on Bandcamp

 
 

ASIP - En Pausa Festival / Conexión

 
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April 18th witnessed another big takeover on 9128.live with En Pausa festival.

Alex Albrecht, Ario, Chris SSG, Federico Duránd, Gigi FM, Karim, Klara Vedis and Patricia Wolf, plus a live performance by Jo Johnson & Hilary Robinson was the order of the day. Now all of the DJ sets can be heard once again online, including my own.

My mix leaned into the notion of “En Pausa” and “Conexion” with a patient and slowly unraveling mix that focused a lot on ASMR, featuring lots of small vocal samples and textures.

And as always, there were some unreleased ASIP bits along the way.

Hope you enjoy it.

Download.

Tracklist:

01. Isorinne - Blurred Perceptions of Substance
02. Ulla - Inside Means
03. DJ Healer - Gone
04. DJ Lostboi - Open World
05. Malibu - Tilting on Windmills
06. Pechblende - And I_Am The Arrow
07. Arovane - olopp_eleen
08. Gi Gi - Montjuic feat. Mi Mi
09. nthng - Disappeared but not forgotten
10. Unreleased
11. Quiet Places - Track 4
12. Unreleased
13. Forrest - Inner Coral
14. Unreleased
15. Unreleased
16. Unreleased
17. woob - III [Sample]
18. Malibu - Nana (Julianna Barwick remix) [Sample]
19. Pechblende - Tear Away
20. Secret Pyramid - V
21. William Basinski - Please This Shit Has Got To Stop
22. Abul Mogard - Clouds
23. Blinkar från Norr - Disconnection From Reality
24. The Caretaker - Bewildered In Other Eyes

 

Subscribe to 9128.live for exclusive archived sets

 
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The existing internet radio royalty process leaves a lot to be desired for smaller artists, and many struggle to ever see a dime when their music is played in such instances.

We think we have a new way of giving back to the artists, labels and even curators who are a part of our radio station, 9128.live and some of the many takeovers we have hosted.

We have partnered with Currents.fm, which is a ‘Patreon’-style subscriber platform, specific to the music community. By subscribing to our new Currents.fm page, you get to access previously aired sets from 9128.live. Until now, we had left the republishing of sets up to the artist after a takeover (like the recent anecumene festival), and that’s still an option - however, going forward artists will now have the option to include their set as an exclusive to the 9128.live subscribers, and get paid for it.

We will pay the artists a one-time fee to host a set; re-up, for subscribers only for a limited amount of time. By becoming a subscriber, you get access to these sets - either to stream again or in some instances (where the artist gives permission) the ability to download.

Each month, we will pick a set from the 9128.live takeover archives and publish to subscribers. We may also pay some of the partner labels as part of the platform, or we may invest it into a future takeover. We have a few ideas on how this can become creative and helpful to everyone.

We have just paid for our first re-up - $100 for James Bernard’s latest live set as part of anecumene festival. A beautiful six-string Bass and Acid set, featuring his wife Cynthia on vocals.

This is more $ than many artists will make in years with Spotify or radio royalties, and James still owns the rights to the music and can do with it as he pleases in the future.

We also hope to reach a point with subscriptions where we can reinvest back into the platform too — more bandwidth, or improvements to the service - but first, the music.

Lastly, as above, we aim to be transparent on what is being paid to artists so you can see where your $ subscription is going and who it is benefiting.

You can subscribe here on Currents.fm for as little as $2.50 per month. And there’s more info on our vision over on the 9128.live website.

Thank you, and a big thanks to James and the artists we already have lined up to help get this off the ground!

 

Introducing 9128.live - 24-7 streaming

 
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I’ve been going back and forth for a while now on how to better present the catalog of ASIP releases. A few things encouraged me to start 9128.

Soundcloud has really slowed down over the years and as everyone knows it’s a struggling platform overall. I considered using Mixcloud’s new premium levels (with paywalls) to help provide new and exclusive music but now they’re starting to implement even more restrictions on listeners. I’ve used Mixlr to live stream exclusive sets which was actually really great, but it was such an effort to bring everyone into one place all the time to listen.

This often all came together OK when presenting ASIP music and mixes, but I recently found myself as a listener, wanting to have a resource where I didn’t have to choose. Just with those platforms above I’m going to three different places all the time, not even considering Bandcamp or streaming platforms. My world is becoming a little bit overwhelming when balancing how and what I listen to. I’m not complaining - there can never be too much music - but there’s a dedicated time when I sit down and play a record, and then there’s convenience time when I would just like to tune in to something I know I will like - a soundtrack for my daily life.

Many may suggest streaming platforms and playlists at this point. But I don’t want adverts, paywalls (if you don’t want adverts), playlists curated by anonymous ‘editors’, fake artists, and the desire to keep things updated all the time. And again, there’s still the choice of what playlist to choose and when.

So create a new channel? At first it didn’t necessarily make sense given the many options I just described, but it turns out it’s the characteristics of radio that I’ve been longing for as a listener. Putting aside want I wanted or what I felt was working as a label; as a music listener, I wanted something new.

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Easy to access. No logins, no paywalls. Available here on a normal website, on a dedicated URL or within other services or apps that might make things that bit more convenient.

Always on. I’ve been wanting music in the background, without having to worry about what’s playing or when it ends. It was awesome listening to the Warp/NTS broadcast last month and dipping in and out as time allowed. Hearing new music and NOT knowing what was playing-imagine that! I enjoyed that experience and always have. On top of all that, I’ve been waking up in the middle of the night and not wanting to scroll through my phone deciding on what to play, I just wanted to hit play, and go back to sleep.

Self-serving. We’ve all gone through a period of ‘loaning’ out how we communicate with listeners and now it’s swinging back around. The days of Facebook, Instagram, Twitter, Soundcloud etc are becoming frustrating to say the least, unless you’re paying. Mixcloud even as of this week. Time to create something we own again.

Selfishly, yes, I hope that the radio station brings more people back to our website, sign-ups for our emails and supports more artists directly on Bandcamp, spending less time in the cluttered world of social media and streaming playlists.

New ways of presenting music. 9128 will play music from our catalog and friends of ASIP - labels and artists. We’re excited to bring new listening experiences such as dedicated shows, album premieres, themed slots, artist and label showcases and more…

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So we’re here.

9128 has been created as a newly curated destination to showcase friends, artists and labels within the ambient and electronic music community - a collective of likeminded music.

Our goal is to have a 100% label and artist curated schedule and our regular programming will revolve around music from everyone involved, alongside scheduled shows from our Partners.

Programming will be fluid, often random, and curated to ensure a new listening experience with every visit.

Partner shows: We are partnering with friends and likeminded labels to create purposeful listening moments. Partners will have a time where you can tune in for the latest curation by said Partner, but that curation may be different from one show to the next and the slot may change from week to week. At launch, we have some great Partners involved, including Archives / Faint, Astral Industries, Auxiliary, Field Records, Hypnus, Past Inside The Present, Silent Season and The Thesis Project alongside many individual artists contributing their select releases and unreleased music. You can read more about the Partners here, and we will soon be adding details on all the individual artists involved.

Regular 9128 programing: Surrounding the Partner shows will be regular 9128 programing curated by ASIP. 9128 Programing will be less defined and will be a mix of all music from the ASIP Label and Partners involved. It will also include album premieres, label-specific mixes and unreleased/exclusive music. But, we' won’t be overly-promoting all this on social media - it will happen randomly, should you wish to tune in and find it.

Details:

  • We don’t have specific limitations on what music we play. We curate from a label / artist level. Generally the music featured on 9128 aligns to the ASIP aesthetic, and will include a spectrum of ambient, drone, field-recordings, experimental, soundtrack, modern classical, electronica/IDM and deep techno.

  • The music featured is played under permission or owned by said artists, Partners or ASIP.

  • The stream is currently offered at 320kbps.

  • We encourage you to connect to the stream using WiFi, especially on mobile, to avoid high data usage.

  • The stream has built-in security measures to stop and discourage “stream rippers”. Please respect the artists and music played for your enjoyment.

  • If you like what you hear, we encourage you to support the artists and Partners on Bandcamp, with links available on the Partners page.

  • The stream is available on the dedicated website, as an iOS app, as an Android app, and an Alexa skill.

If by Eno’s definition, ambient music was meant to be heard in the background, then we hope this is the best background music you could ask for.

Thanks for tuning in!

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Oh, and you know how much we love some merch, so grab a tee if you want to help us spread the word as we launch, and look great at the same time. Available on Everpress for the next 21 days only.

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